Friday, May 4, 2012
Journal #31- job shadowing
Where do I begin to talk about my job shadowing experience. On Wednesday, I had the pleasure of going to the Henson Robinson Zoo in Springfield to do my job shadowing. I went to the zoo because I someday aspire to be a marine biologist or a zoologist. Obviously, there are not going to be many marine biologists in Central Illinois, but that's okay. I was still really excited to go to the zoo to see all the animals and learn as much as I could from the person I was shadowing! When I got to the zoo at around 8:15 in the morning, the snooty lady at the front desk told me and my friend, Desi Burns (who was also there shadowing for school), to follow the path down to there barn. Our two zookeepers were there waiting for us. We were so excited!!!! It was a beautiful day; the sun was shining, the birds were singing, the monkeys were making their monkey sounds.....until we got to the barn. My expectation was a friendly zookeeper who was passionate about her job, and who was also excited to have a high schooler follow her around so she could shed some of her intelligence on an ignorant teenager who may be interested in her field. No. We found ourselves wound up with two unfriendly ladies who told us straight up that they did not want us to be there. It was not as bad as I probably make it sound, but I can tell you that I did not have fun. I pictured us touring the zoo, talking about animals or interests or something, feeding them, and maybe if I was lucky she would let me hold something. Again, this was not the case. When I was not standing in a smelly, concrete building watching her spray animal feces off the wall and listening to her complain about her life, I was standing in another building doing absolutely nothing but watch her chop lettuce, text on her phone, and listen about how she hated every single one of her coworkers. This lady was a real nutcase. I learned more about her personal life than I did about the zoo, which by the way, I did not even get to walk around. My zookeeper was lazy, cussed every other word (not a big deal, but I still felt like it was bad form), and talked bad about anyone who came in the vicinity of the tiny room I spent my day in. Whenever Desi and her zookeeper would come around, the two ladies would stand and gossip for as long as they pleased while giving us dirty looks as if we were bothering them. FINE WE GET IT. You don't want us here, we know!!! My lady literally told me: "Yeah we really don't like when we get shadowers or kids here to work with us. They just get in the way and it's weird because we don't want to talk to them so they just watch us." Oh okay. I'm sorry I'm not sure if you got the memo, but I'm here for a reason. I didn't wake up extra early and get my hopes to hear about how you have an illegal skunk living with you in your trailer. All in all, I had a better time leaving and looking at the penguins on the way out than I did for the 2 hours I was there.
Monday, April 30, 2012
Bells For John Whitefield's Daughter- Modernism Project
Here is the link to my Modernism Project YouTube video!! If for some reason it's not, just look up "Ainsley's Modernism Project- Bells for John Whitefield's Daughter" on YouTube. It's just me looking really really attractive at midnight so its probs on the popular page with the most views. Oh and my thumbnail is really hot. Enjoy;)
Modernism...link
http://www2.iath.virginia.edu/elab/hfl0255.html
This is the link to the page that I read about modernism. It is basically just a brief summary.
This is the link to the page that I read about modernism. It is basically just a brief summary.
Tuesday, April 17, 2012
Journal 30- Beautiful Women
For this journal, I was given the opportunity to pick my favorite Walt Whitman poem from Leaves of Grass. I did not know how to go about picking my favorite because I have not read the entire thing because it is so long. Scrolling through the list of poem titles, I came across one that seemed "okay" at the time. The title was "Beautiful Women," and I think I was interested in reading it because I wanted to know what Walt Whitman had to say about them, considering some of the poems I have read from Leaves of Grass. I did not even have to read other poems to figure out that this one was my favorite. First of all, I love how simple it is--simple, not because of how extremely short it is, but how Walt Whitman did not have to use an entire page to paint a picture in my head. The whole poem is only two stanzas long.
"Women sit or move to and fro, some old, some young,
The young are beautiful--but the old are more beautiful than the young." (Whitman)
When I read this, I pictured a scene similar to what you would see in Gone With the Wind or something in the Antebellum South period (the Old South before the Civil War). I imagined big, beautiful dresses with delicate details. My first instinct was to assume that "beautiful" women meant young women, and I was surprised to read Walt Whitman's statement that the younger women were not as beautiful as the older women (Whitman). I can definitely see it, because they do not have a naive look about them, but more an air of intelligence about them. Everyone knows that intelligence on anyone is attractive.
I think that the main reasons I like this poem were the simplicity of it and its ability to create such a mental image with every few words...they kind of go hand in hand. If Walt Whitman had taken the idea from "Beautiful Women" and prolonged it into a page-long story like the rest of his poems, I do not think I would have liked it as much. There is only so much you can say, but it honestly would not have been such a nice surprise to see how small it was...and I'm really not just saying that because I did not want to take the time to read a long poem and analyze it; this was the first poem that I picked and I honestly enjoyed it.
"The Walt Whitman Archive." BEAUTIFUL WOMEN. (Leaves of Grass [1891-1892]) -. Web. 16 Apr. 2012.
"Women sit or move to and fro, some old, some young,
The young are beautiful--but the old are more beautiful than the young." (Whitman)
When I read this, I pictured a scene similar to what you would see in Gone With the Wind or something in the Antebellum South period (the Old South before the Civil War). I imagined big, beautiful dresses with delicate details. My first instinct was to assume that "beautiful" women meant young women, and I was surprised to read Walt Whitman's statement that the younger women were not as beautiful as the older women (Whitman). I can definitely see it, because they do not have a naive look about them, but more an air of intelligence about them. Everyone knows that intelligence on anyone is attractive.
I think that the main reasons I like this poem were the simplicity of it and its ability to create such a mental image with every few words...they kind of go hand in hand. If Walt Whitman had taken the idea from "Beautiful Women" and prolonged it into a page-long story like the rest of his poems, I do not think I would have liked it as much. There is only so much you can say, but it honestly would not have been such a nice surprise to see how small it was...and I'm really not just saying that because I did not want to take the time to read a long poem and analyze it; this was the first poem that I picked and I honestly enjoyed it.
"The Walt Whitman Archive." BEAUTIFUL WOMEN. (Leaves of Grass [1891-1892]) -. Web. 16 Apr. 2012.
Wednesday, April 4, 2012
Reflection- Song of Myself
I would just like to say that I absolutely love the poem "Song of Myself" by Walt Whitman. The very first lines are "I celebrate myself, and sing myself,/ And what I assume you shall assume" (Whitman). I need to remember that just because a poem is told in first person does not mean that it is the actual author of the poem. I found that this poem was kind of a reflection on the speakers life or personality--the speakers "self." (Yay for making connections!!) Okay, now I am done with first person because this is supposed to be formal writing.
The speaker definitely values nature and possibly believes that using nature can help you reflect on yourself. "Have you reckon'd a thousand acres much? have you reckon'd the earth much?/ Have you practis'd so long to learn to read?/ Have you felt so proud to get at the meaning of poems?" (Whitman). Walt Whitman is saying that in order to totally learn one's "self," they must take away everything in their lives and be completely pure. Nature is seen as being pure because it is untouched by people, and is a good thing to be influenced by. There was also another stanza that sort of ties into this. "There was never any more inception that there is now,/ Nor any more youth or age than there is now,/ And will never be any more perfection than there is now,/ Nor any more heaven or hell than there is now" (Whitman). Walt Whitman is talking about how nature is perfection, which is why it is such an awesome place to self reflection. There are no distractions to stray thoughts. Walt Whitman could also be talking about life in general. Right now, one will never be younger. There was never a better time than right now. Walt Whitman is recognizing that you only live once (YOLO), so why not live in the moment? "Loafe with me on the grass, loose the stop from your throat,/ Not words, not music or rhyme I want, not custom or lecture, not even the best,/ Only the lull I like, the hum of your valved voice" (Whitman). Walt Whitman just wanted to relax in the countryside with his thoughts and the opportunity to look at his life and reflect on himself. He is telling his company that in order to fully enjoy themselves and life in general, they need to kick back and take it easy.
"The Walt Whitman Archive." SONG OF MYSELF. (Leaves of Grass [1891-1892]) -. Web. 04 Apr. 2012.
The speaker definitely values nature and possibly believes that using nature can help you reflect on yourself. "Have you reckon'd a thousand acres much? have you reckon'd the earth much?/ Have you practis'd so long to learn to read?/ Have you felt so proud to get at the meaning of poems?" (Whitman). Walt Whitman is saying that in order to totally learn one's "self," they must take away everything in their lives and be completely pure. Nature is seen as being pure because it is untouched by people, and is a good thing to be influenced by. There was also another stanza that sort of ties into this. "There was never any more inception that there is now,/ Nor any more youth or age than there is now,/ And will never be any more perfection than there is now,/ Nor any more heaven or hell than there is now" (Whitman). Walt Whitman is talking about how nature is perfection, which is why it is such an awesome place to self reflection. There are no distractions to stray thoughts. Walt Whitman could also be talking about life in general. Right now, one will never be younger. There was never a better time than right now. Walt Whitman is recognizing that you only live once (YOLO), so why not live in the moment? "Loafe with me on the grass, loose the stop from your throat,/ Not words, not music or rhyme I want, not custom or lecture, not even the best,/ Only the lull I like, the hum of your valved voice" (Whitman). Walt Whitman just wanted to relax in the countryside with his thoughts and the opportunity to look at his life and reflect on himself. He is telling his company that in order to fully enjoy themselves and life in general, they need to kick back and take it easy.
"The Walt Whitman Archive." SONG OF MYSELF. (Leaves of Grass [1891-1892]) -. Web. 04 Apr. 2012.
Tuesday, April 3, 2012
Reflection- Chanting the Square Deific
While reading "Chanting the Square Deific" by Walt Whitman, I definitely noticed things that portrayed his ideas of self and spirituality. In a sense, I got the feeling that Walt Whitman was very full or proud of himself.
"Chanting the Square Deific" is told in first person, and Walt Whitman starts out by comparing himself to the gods by saying he is "Time, old, modern as any" (Whitman). He says that he is relentless and will take down anyone that goes against what he believes in or what he is doing. This may portray Walt Whitman's idea of self that says a person is an individual. Everyone has a right to his or her thoughts. This may also show that Whitman was a hard headed man and was the type of person that felt like he was always right. It was either his way, or no way. Allowing oneself to be an individual and not listen to what others is another point being made (which goes along with spirituality). Walt Whitman must have been extremely fond of himself because he keeps referring to himself as a god ("the mightier God I am" (Whitman)) and talks about how charitable he is and how he gave up his world to help those under him. "But my charity has no death--my wisdom dies not, neither early nor late,/ And my sweet love bequeath'd here and elsewhere never dies" (Whitman). Basically, Walt Whitman is saying that in his godly state, he touches everywhere he goes with his kindness and generosity. I definitely could have interpreted this wrong, but Walt Whitman really seems to feel like he is so important to society--or, at least his role in this particular poem. Later in the poem, he refers to himself as the "general soul" (Whitman), which takes me away from that opinion a little bit. If you are so awesome and helpful and above everyone else, why would you suddenly call yourself the same as everyone else? I think this ties into what we discussed during class about the definition of "self." As a singular, solitary person, you are your "self." BUT, you influence and are very much influenced by the people around you. Without your singluar self, there would be no groups of "selves," but without those "selves" there would be no singular self. It is a twisted circle in our society. Walt Whitman recognized that and found twisted, hidden ways to include it in his poetry. What a peculiar man.
Walt Whitman uses the square of the Father, Son, Satan and Holy Spirit. He incorporates these into his poem to describe "self." The Son is forgiving, happy, kind and loving. The Father is merciless, relentless, and has little remorse. Basically, all of his decisions are final. He makes the point to tie all of these together and compare it to how an individual is a "self," but together (as all the people in the world) we make ourselves.
"The Walt Whitman Archive." CHANTING THE SQUARE DEIFIC. (Leaves of Grass [1891-1892]) -. Web. 03 Apr. 2012.
"Chanting the Square Deific" is told in first person, and Walt Whitman starts out by comparing himself to the gods by saying he is "Time, old, modern as any" (Whitman). He says that he is relentless and will take down anyone that goes against what he believes in or what he is doing. This may portray Walt Whitman's idea of self that says a person is an individual. Everyone has a right to his or her thoughts. This may also show that Whitman was a hard headed man and was the type of person that felt like he was always right. It was either his way, or no way. Allowing oneself to be an individual and not listen to what others is another point being made (which goes along with spirituality). Walt Whitman must have been extremely fond of himself because he keeps referring to himself as a god ("the mightier God I am" (Whitman)) and talks about how charitable he is and how he gave up his world to help those under him. "But my charity has no death--my wisdom dies not, neither early nor late,/ And my sweet love bequeath'd here and elsewhere never dies" (Whitman). Basically, Walt Whitman is saying that in his godly state, he touches everywhere he goes with his kindness and generosity. I definitely could have interpreted this wrong, but Walt Whitman really seems to feel like he is so important to society--or, at least his role in this particular poem. Later in the poem, he refers to himself as the "general soul" (Whitman), which takes me away from that opinion a little bit. If you are so awesome and helpful and above everyone else, why would you suddenly call yourself the same as everyone else? I think this ties into what we discussed during class about the definition of "self." As a singular, solitary person, you are your "self." BUT, you influence and are very much influenced by the people around you. Without your singluar self, there would be no groups of "selves," but without those "selves" there would be no singular self. It is a twisted circle in our society. Walt Whitman recognized that and found twisted, hidden ways to include it in his poetry. What a peculiar man.
Walt Whitman uses the square of the Father, Son, Satan and Holy Spirit. He incorporates these into his poem to describe "self." The Son is forgiving, happy, kind and loving. The Father is merciless, relentless, and has little remorse. Basically, all of his decisions are final. He makes the point to tie all of these together and compare it to how an individual is a "self," but together (as all the people in the world) we make ourselves.
"The Walt Whitman Archive." CHANTING THE SQUARE DEIFIC. (Leaves of Grass [1891-1892]) -. Web. 03 Apr. 2012.
Monday, April 2, 2012
Journal #29- self reflection
The discussion that we had today in class made me really think about the meaning of "self." It is basically impossible to define the term self without using the word in the actual definition. In all honesty, it is really hard for me to look at my personal self and try to "define myself." When I look at my morals, I feel like I am the type of person who views the world through rose colored glasses--most of what I am about to say I have gathered from researching everything and anything about being a Pisces...I'm deep, man--because I always assume that something is innocent or the best it can possibly be. I do not know if that is simply trying to see the best in things, or if I am just very naive. I am also very modest. When I look at the world, I so badly want everyone to see and feel what I see. There is beauty in everything, and as the years go on I think beauty gets overlooked. Maybe that is just the inner hippie coming out. I definitely think I would fit in during the nineteen-sixties. Everyone was so carefree and valued the same things that I do. Why is it that the color of someone's skin can change the way they live or the way people look at them? The same thing with the way someone dresses or the thoughts and ideas they have. Why do people care? We are all individuals. I definitely value equality, in all aspects of life. That goes with my belief that life is a beautiful and everyone should have the opportunity or chance to agree with me. The same thing with war, who on earth came up with the idea of war or politics. I am in AP US History and that is pretty much all we talk about, so I can see where politics can be structurally helpful and wars can be good...but why fighting? Is it really worth it? GIVE PEACE A CHANCE.
Thursday, March 29, 2012
Emily Dickinson- Ainsley & Melissa
Emily Dickinson had a passion
for nature. It served as the muse for a lot of her work. In “Bring Me the Sunset
in a Cup”, Emily Dickinson describes her excitement when waking up on a dew
covered morning. She uses a very cheery tone for the rhythm of the poem which
shows the readers how positively she feels for the time of day. The rhythm of a
poem can have a huge impact on the story because the reader is given a emotion
without the author straight up telling them the feeling in the poem. It is a
literary tool that enhances the poetry and the mood of the story. Just as one
would want to know more about their idol or passion, Dickinson has questions
about nature. She strives to learn more about her muse and is quick to show her
curiosity over the topic. She asks, “Who leads the docile spheres withes of
supple blue?” (Dickinson).
Another commonly used literary technique in “Bring Me the Sunset in a Cup” was imagery. Her words are so beautifully described that they allow the reader to picture what is taking place in the poem. In line twelve, Dickinson says, “How many trips the tortoise makes, How many cups the bee partakes” (Dickinson). The reader can picture these creatures, and ultimately get the feeling of spring. Both are outdoor animals that come out in warm weather conditions. The reader can also imagine the slow moving tortoise and hear the buzzing of the bee. Dickinson uses imagery to point out the time of day because the story sets in the morning and dawns at the end of the day. She says, “Bring me the sunset in a cup, Reckon the morning’s flagons up” (Dickinson). The comparison of a ‘sunset in a cup’ refers to the coffee that most drink in the morning, and the raising of the flag is also a job for the early morning. To inform the reader that the day is coming to a close, Dickinson says, “And shut the windows down so close, My spirit cannot see? Who’ll let me out some gala day, With implements to fly away” (Dickinson). The closing of the windows shows how the residents are in for the night. She includes her want to be free from the enclosed house, showing once again her love for the great outdoors. The greatest part of the chronological imagery is that Dickinson used items that one might not necessarily consider when thinking of a specific time of day. Raising the flag is a brilliant way to describe the morning, but it’s not what first come to mind. The closing of windows gives readers a wonderful picture to imagine. One that they probably hadn’t considered with night time before. This clever technique of hinting to the reader the time of day by using hidden imagery is what makes Emily Dickinson such a great artist of her craft. She didn’t have to state on paper every point, and instead she allowed her audience to read between the lines.
Dickinson, Emily. “Give Me the Sunset in a Cup”. The Complete Poems of Emily Dickinson. Boston: Little, Brown, 1924; Bartleby.com, 2000.
Another commonly used literary technique in “Bring Me the Sunset in a Cup” was imagery. Her words are so beautifully described that they allow the reader to picture what is taking place in the poem. In line twelve, Dickinson says, “How many trips the tortoise makes, How many cups the bee partakes” (Dickinson). The reader can picture these creatures, and ultimately get the feeling of spring. Both are outdoor animals that come out in warm weather conditions. The reader can also imagine the slow moving tortoise and hear the buzzing of the bee. Dickinson uses imagery to point out the time of day because the story sets in the morning and dawns at the end of the day. She says, “Bring me the sunset in a cup, Reckon the morning’s flagons up” (Dickinson). The comparison of a ‘sunset in a cup’ refers to the coffee that most drink in the morning, and the raising of the flag is also a job for the early morning. To inform the reader that the day is coming to a close, Dickinson says, “And shut the windows down so close, My spirit cannot see? Who’ll let me out some gala day, With implements to fly away” (Dickinson). The closing of the windows shows how the residents are in for the night. She includes her want to be free from the enclosed house, showing once again her love for the great outdoors. The greatest part of the chronological imagery is that Dickinson used items that one might not necessarily consider when thinking of a specific time of day. Raising the flag is a brilliant way to describe the morning, but it’s not what first come to mind. The closing of windows gives readers a wonderful picture to imagine. One that they probably hadn’t considered with night time before. This clever technique of hinting to the reader the time of day by using hidden imagery is what makes Emily Dickinson such a great artist of her craft. She didn’t have to state on paper every point, and instead she allowed her audience to read between the lines.
Dickinson, Emily. “Give Me the Sunset in a Cup”. The Complete Poems of Emily Dickinson. Boston: Little, Brown, 1924; Bartleby.com, 2000.
Tuesday, March 20, 2012
Walt Whitman's writing style
In the literary criticism I read titled "Mr. Walt Whitman" by Henry James, I did not get the impression from the beginning of the passage that the author was very fond of Walt Whitman. He uses the word "melancholy" (James) to describe his writing style more than once. In this particular criticism, Henry James is talking about Drum-Taps by Walt Whitman. I have not read Drum-Taps and I never really plan on reading it, but if I was just some innocent reader who stumbled upon this literary criticism by Henry James, I honestly think I would make an effort to not read it. Henry James believes that this work by Walt Whitman is "offensive against art" (James). Drum-Taps takes place during the Civil War, and he thought that it was artistically safe. Part of the passage is told from an unknown narrator and is not the words of Henry James. The narrator describes the writing style of Walt Whitman as "prosaic" and "eclectic" (James), neither of which I fully understand the meaning of. According to Dictionary.com, the definition of the word "eclectic" is "not following any one system...but selecting and using what are considered the best elements of all systems" (Dictionary.com). I am already starting to like Walt Whitman because I think he and I think the same way. Why only stick to one idea or way when there are so many others out there to consider? It is not even just ideas, but just a general open-mindedness I guess. The word "prosaic" means "of or having the character or form of prose rather than poetry" (Dictionary.com). This makes sense now. Obviously, Henry James felt like Walt Whitman was just telling a lame story about what was going on during the Civil War instead of using his poetic creativity to give the reader a better image. To me, this does not seem very fair. First of all, the Civil War was not a pretty place to be in. How poetic can someone possibly get when men are dying and bleeding and freaking out all around you? Maybe Henry James was offended because Walt Whitman's lack of proper portrayal (in the eyes of Henry James, not me! I am totally neutral on this!) did not give the justice that the War deserved. Just because it does not go into gory details does not mean it was a bad piece of work! Maybe it was just boring or something! I feel like this would have been a lot easier to talk about if I had read Drum-Taps by Walt Whitman, but I can say that I do know a lot about the Civil War thanks to AP US History. From what I can tell from reading the literary criticism, I think that Walt Whitman's writing style must have been fairly serious. Serious writings are more likely to be considered boring, and when people are bored they are more likely to be angry. Henry James was probably upset he wasted his time reading something he did not enjoy.
James, Henry. "Mr. Walt Whitman." The Nation, November 16, 1865: 626. Quoted as "Mr. Walt Whitman" in Bloom, Harold, ed. Walt Whitman, Classic Critical Views. New York: Chelsea House Publishing, 2007. Bloom's Literary Reference Online. Facts On File, Inc.
"Eclectic." Dictionary.com. Dictionary.com. Web. 20 Mar. 2012.
"Prosaic." Dictionary.com. Dictionary.com. Web. 20 Mar. 2012.
James, Henry. "Mr. Walt Whitman." The Nation, November 16, 1865: 626. Quoted as "Mr. Walt Whitman" in Bloom, Harold, ed. Walt Whitman, Classic Critical Views. New York: Chelsea House Publishing, 2007. Bloom's Literary Reference Online. Facts On File, Inc.
"Eclectic." Dictionary.com. Dictionary.com. Web. 20 Mar. 2012.
"Prosaic." Dictionary.com. Dictionary.com. Web. 20 Mar. 2012.
Emily Dickinson's writing style
In the literary criticism that I read about Emily Dickinson, the main focus was on the dash that she makes periodically in her writings. Although this may not fully explain the writing style of Emily Dickinson, I think it is an important enough--and interesting enough--piece that makes her so different from everyone else. The reasoning behind these "unutterable words" (Fagan) can probably be linked to the meanings of her poems. As Deirdre Fagan describes it, these dashes in Emily Dickinson's writings are "physical manifestations of thoughts...a thread between the sayable and the unsayable..." (Fagan). He believes that Emily Dickinson purposely placed these dashes in her writings to break the thought of the reader, as well as show how her own thoughts might have been broken as she was writing. If this is true, I think it is very interesting how she would think to literally portray every single little thing that was going on in her head. It was probably done so that the reader could feel a connection of some sort to the writer, as if they could see their thoughts or think the same thoughts (which sounds a lot creepier than what I wanted it to, and for that I am sorry). The dashes are used to "disrupt the thought pattern of the reader" (Fagan). I do not know much about the life of Emily Dickinson--actually, I really know nothing at all--but I feel like if she was intentionally writing the dashes as strategically as they seem, her own thoughts may have been disrupted on a daily basis. The only think I can come up with is if she had a bad home life or she was so creative that her brain was just too crowded with thoughts. I think that happens to extremely smart or creative people. But, in the literary criticism, Judith Farr said that she believed the "dash was the most used and abused punctuation in the Victorian Era" (Fagan). So maybe these dashes were not as strategic or creative as I thought they were...it was just popular at the time and I am sure she was just going along with what all the other cool writers were doing. The style of the dashes are also looked at, meaning how they appear on paper. Because the dashes were not all exactly the same (which seems very impossible to me because no part of the handwritten language is perfect), it is possible that each dash has its own individual meaning or purpose. To me, that seems quite unlikely. It is impossible for ninety-nine percent of the world's population to make their letters literally exactly the same every single time they write, let alone simple dashes and marks. I think the thing that intrigued me the most was reading how the dash was the most used character--including words--in all of her writings (Fagan). Maybe she was just trying to have a trademark, was following the trends of the time or simply expressing her thoughts in detail, I think Emily Dickinson definitely did a good job at leaving her mark on the world...literally.
Fagan, Deirdre. "Emily Dickinson's Unutterable Word." Emily Dickinson Journal 14, no. 2 (Fall 2005): 70–75. Quoted as "Emily Dickinson's Unutterable Word" in Bloom, Harold, ed. Emily Dickinson, New Edition, Bloom's Modern Critical Views. New York: Chelsea House Publishing, 2008. Bloom's Literary Reference Online. Facts On File, Inc.
Fagan, Deirdre. "Emily Dickinson's Unutterable Word." Emily Dickinson Journal 14, no. 2 (Fall 2005): 70–75. Quoted as "Emily Dickinson's Unutterable Word" in Bloom, Harold, ed. Emily Dickinson, New Edition, Bloom's Modern Critical Views. New York: Chelsea House Publishing, 2008. Bloom's Literary Reference Online. Facts On File, Inc.
Wednesday, March 14, 2012
Reflection- "To Build A Fire"
For this reflection, we were supposed to read "To Build a Fire" by Jack London. I just want to start off by saying reading this passage made me feel very cold. That actually may be a good thing, because that means that Jack London was using a lot of good imagery and descriptions to make the reader literally feel what is going on. It could just be cold in this room, but I thought it would make that point. The story takes place in the Yukon, and it is about a man and his dog who are traveling through the snow. It is extremely cold--an amazing seventy-five degrees before zero (Glencoe Literature). It is so cold, in fact, that the breath of both the animal and the man are literally freezing to their faces. The man is also chewing tobacco, and this nasty spit is freezing onto his beard. The man at first comes off as optimistic about the journey, believing that everything is okay and he will soon make it out of the extreme cold in no time. I think he was just trying to self-motivate himself because pretty soon, he realizes he needs to start a fire and get warm if he really wants to survive. The rest of this story makes me really sad. The man tries his best to start a fire because he knows it will save him, but he can not keep the flame going. "The experience was a fear such as he had never known in his life" (Glencoe Literature). In the end, the man can never get the fire he needs going and he ends up dying. Is that not such a horrible ending? Jack London was a naturalist though, meaning he wrote a lot about nature and a person's relationship with nature. This is very similar to the philosophies of Henry David Thoreau and Ralph Waldo Emerson. Both of these writers were transcendentalists and naturalists, and they sought solitude in nature to achieve the life they believed people needed to live.
Wilhelm, Jeffrey D., Douglas Fisher, Beverly Ann. Chin, and Jacqueline Jones. Royster. Glencoe Literature. New York: Glencoe/McGraw-Hill, 2009. Print.
Wilhelm, Jeffrey D., Douglas Fisher, Beverly Ann. Chin, and Jacqueline Jones. Royster. Glencoe Literature. New York: Glencoe/McGraw-Hill, 2009. Print.
Friday, March 9, 2012
Reflection- "The Darling"
For this reflection, we were supposed to read "The Darling" by Anton Chekhov. The story starts out by talking about a young girl named Olenka. All the people around her say that she is "such a darling" (Glencoe Literature) because of how pretty she is. She fell in love with a man named Snookin (not to be confused with Jersey Shore's Snooki), a man who owns a theatre and gets very upset when it rains because it is ruining his business. I felt kind of bad for Snookin at this point because it rained on their wedding day and wedding night. How can you enjoy the best day of your life when you hate rain so much! They seem to be living happily, until one day before Easter Olenka received a telegram that her husband had died (Glencoe Literature). Olenka was extremely sad and mourned for three months until another man came along. He was in the lumber or timber business, and Olenka took on the role of being in the timber business as if she had never been married before (Glencoe Literature). When her friends would suggest that she should go to the theater because she and her husband were always working, she replied by saying "Me and Vasya have no time for theaters...we are working folk, we can't be bothered with trifles" (Glencoe Literature). Olenka, so far in the story, seems like the type of woman who does exactly what her boyfriend or husband tells her what to do. What happened to being your own person, girl?! Pretty soon, her second husband is dead and she already has another one within a few months. Again, she conformed to his life as if she had lived it her whole entire life (Glencoe Literature). As of right now, I am not really sure how "The Darling" can relate to the ideas of Emerson and Thoreau. It may be because she was so dependent on her husbands, and Emerson and Thoreau felt very strongly about living independently.
Wilhelm, Jeffrey D., Douglas Fisher, Beverly Ann. Chin, and Jacqueline Jones. Royster. Glencoe Literature. New York: Glencoe/McGraw-Hill, 2009. Print.
Wilhelm, Jeffrey D., Douglas Fisher, Beverly Ann. Chin, and Jacqueline Jones. Royster. Glencoe Literature. New York: Glencoe/McGraw-Hill, 2009. Print.
Monday, March 5, 2012
Reflection- Chief Joseph
For this reflection, we were supposed to read "I Will Fight No More Forever," a speech made my Chief Joesph. Reading this speech, my heart broke for Chief Joseph, as well as the other Indians. His speech was basically begging for peace. He describes his heart as being "sick and sad" (Chief Joseph). I was really happy that I found the website that had his speech, because right under the speech of Chief Joseph there was a little part that gave background information about why he was giving this speech. I think that was when I really started getting sad for Chief Joseph (and plus, we just went over this stuff in AP US History, so I feel like I am some sort of expert on this time period). As Americans--Americans being the white man--started moving west, they were taking the land that belonged to the Indians. They did not even ask for or attempt to purchase or compromise for the land. The Americans completely annihilated the Indians if they refused to move on to the reservations the white men made. The reservations were on extremely undesirable land. Anyway, Chief Joseph's tribe was located in Oregon (Chief Joseph). Instead of moving to the reservations like the white men were trying to get them to do, Chief Joseph wanted to move his tribe to Canada. This obviously made the white men mad because they were not doing what they were told, like they were "supposed" to. I felt really bad for Chief Joseph because he was just trying to avoid conflict and keep his people happy. There was no reason that the white people should have controlled what the Native American's did. I think that is how Ralph Waldo Emerson and Henry David Thoreau felt about the government. They did not mind so much that is was there, like the Indians just accepted the white men were there, but they did not think they belonged all up in there business.
"Chief Joseph." Welcome to Georgia State University. Web. 05 Mar. 2012.
"Chief Joseph." Welcome to Georgia State University. Web. 05 Mar. 2012.
Thursday, March 1, 2012
Reflection- Spoon River Anthology
For this reflection, we were free to pick whatever excerpts from the Spoon River Anthology by Edgar Lee Masters and compare them to the ideas and philosophies of Henry David Thoreau and Ralph Waldo Emerson. The first excerpt I picked titled "The Unknown" on page 124. In this poem or passage, or whatever you want to call it, it is about a man (the unknown) who shoots a hawk in the forest. "Ye aspiring ones, listen to the story of the unknown/ Who lies here with no stone to mark the place" (Masters 124). By describing that there is no gravestone where he is buried, it kind of gives the reader supporting information on how the man was considered unknown. When he shoots the bird, it does not die, but instead it has a broken wing. The man takes the hawk home and puts it in a cage. "Daily I search the realms of Hades/ For the soul of the hawk,/ That I may offer him think friendship/ Of one whom life wounded and caged" (Masters 124). The man talks about how the hawk is very angry at him, and he wants to be friends with him. If he shot him and broke his wing, why would he go to Hades (I am assuming Hell) to find his soul so they can be friends? The hawk obviously hates him. I mean, a strange unknown man ruined his life and threw him in a cage. Birds are supposed to be free to fly wherever they want! Surprising enough, I think I found ways to link this to the philosophies of Henry David Thoreau and Ralph Waldo Emerson. Neither Thoreau nor Emerson thought that the government should have a huge role in someone's life. Maybe the man could be considered the government in a sense. He took away the hawks freedom to fly--the hawk being normal people I guess--and threw him in a cage, and then tried to be friends with him. Nothing. Makes. Sense.
Masters, Edgar Lee, and John E. Hallwas. Spoon River Anthology. Urbana: University of Illinois, 1992. Print.
Masters, Edgar Lee, and John E. Hallwas. Spoon River Anthology. Urbana: University of Illinois, 1992. Print.
Wednesday, February 29, 2012
Reflection- Mark Twain “The Celebrated Jumping Frogs of Calaveras County"
For this reflection, I read "The Celebrated Jumping Frogs of Calaveras County" by Mark Twain. The story is told in first person, and the narrator begins to tell the reader that he is trying to find information on a certain Leonidas W. Smiley. He does not believe this man is real, but seeks out a friend of a friend to help him out. I just found out that "The Celebrated Jumping Frogs of Calaveras County" is just an excerpt from Mark Twain's Life on the Mississippi. I just wanted to point that out in case someone got confused as to why I was only talking about part of a story, but I really doubt whoever is reading this has read Life on the Mississippi. He finds this friend of a friends in what seems similar to a tavern. The man backs him into a corner, and proceeds to tell the narrator about the man that he is searching for. Leonidas W. Smiley is a real person! The man also tells him about a man named Jim Smiley, which really really confused me at first. Although not very far into the excerpt of Mark Twain's Life on the Mississippi, I do not have any idea how the ideas and philosophies of the narrator have anything in common with those of Ralph Waldo Emerson and Henry David Thoreau.
Wilhelm, Jeffrey D., Douglas Fisher, Beverly Ann. Chin, and Jacqueline Jones. Royster. Glencoe Literature. New York: Glencoe/McGraw-Hill, 2009. Print.
Wilhelm, Jeffrey D., Douglas Fisher, Beverly Ann. Chin, and Jacqueline Jones. Royster. Glencoe Literature. New York: Glencoe/McGraw-Hill, 2009. Print.
Friday, February 24, 2012
Reflection- "The Red Badge of Courage" by Stephen Crane
For this reflection, we had to read "The Red Badge of Courage" by Stephen Crane. The passage in our book was very short, which may be a little difficult to summarize in the amount of words required for these reflection blogs, but like I always say: when the going gets tough, the tough gets typing! Anyway, the story starts out by comparing the man of interest to a carpenter. "He was at task. He was like a carpenter who has made many boxes, making still another box..." (Glencoe Literature). I think the author made this comparison to give the reader the visual of the man working hard. He is obviously doing something repetitive, and something that he is used to doing because he is doing it quickly. The man is not thinking about doing his work though, and his mind drifts off every once in awhile to "jolted dreams" (Glencoe Literature). His dreams seem a little muddled because he is so involved in the war effort. Judging by the time period and the war effort the author is talking about, this must have taken place during the Civil War. Plus, this small passage also talks about rifles, which if I am not mistaken were the types of guns they used in the Civil War. Anyway, the man in the story is starting to get full of rage, and is described as "a well-meaning cow worried by dogs" (Glencoe Literature). I think the man is worried because he is putting his entire being into the war effort and is getting nothing out of it. Maybe, which is most likely, he is forced to be in the war effort and has no say. This would be easier to compare to the ideas of Ralph Waldo Emerson and Henry David Thoreau. Both men did not like the situations they were in concerning the government, and stood up for what they believed in through their writings. The man in the passage seems like he is building enough rage against what he is doing to do the same, or at least something similar.
Wilhelm, Jeffrey D., Douglas Fisher, Beverly Ann. Chin, and Jacqueline Jones. Royster. Glencoe Literature. New York: Glencoe/McGraw-Hill, 2009. Print.
Wilhelm, Jeffrey D., Douglas Fisher, Beverly Ann. Chin, and Jacqueline Jones. Royster. Glencoe Literature. New York: Glencoe/McGraw-Hill, 2009. Print.
Wednesday, February 22, 2012
Reflection- Kate Chopin's "The Awakening"
For this reflection, we were supposed to read an excerpt from the novel The Awakening by Kate Chopin. The part of this novel in our book was very short, but I think I understand it enough to write an entire three-hundred and twenty-five word reflection. Before the excerpt of the story, I read the "Before You Read" on realism and the life of Kate Chopin. Kate Chopin is known for her writing because she is considered to be the first American woman who "frankly (wrote) about the suppressed passion and discontentment" of women in their confined state of their roles. During this time--which is the Civil War time period--women had a very specific role in society. They were supposed to be very delicate and ladylike and extremely sensitive to things like sunlight and curse words. As I have said in previous reflections, my favorite movie in the whole wide world is Gone With the Wind. From watching the movie so many times and from knowledge I already knew, I was able to understand The Awakening. Kate Chopin was making the point of opening up the curtains of the sheltered woman's life and talking about how unsatisfying it really was. Women were just expected to smile and go along with everything that their husbands. I think that it was awesome that a woman like Kate Chopin had the guts to speak out for women. The woman in the excerpt from her story is crying and wants to be by herself. It seems, to the reader, that she is finally breaking down from all the stress of life. I am sure her husband had said something sexist without knowing it (because that was normal at the time) and it was just the straw that broke the camels back. Having a husband back then must have been horrible! You never really married for love, and the men just expected the women to do everything and were worth nothing and had no idea about anything. I know for a fact that I am no feminist or anything--frankly, the annoy me so much--but that would not have been fair. I am all for equality between people, no matter race or gender.
Wilhelm, Jeffrey D., Douglas Fisher, Beverly Ann. Chin, and Jacqueline Jones. Royster. Glencoe Literature. New York: Glencoe/McGraw-Hill, 2009. Print.
Wilhelm, Jeffrey D., Douglas Fisher, Beverly Ann. Chin, and Jacqueline Jones. Royster. Glencoe Literature. New York: Glencoe/McGraw-Hill, 2009. Print.
Tuesday, February 21, 2012
Reflection- "A Wagner Matinee"
For this reflection, we were able to choose to read one of two of Willa Cather's stories: "O Pioneers!" or "A Wagner Matinee." I chose to read "A Wagner Matinee" for no reason in particular, but I remembered that we had talked about it in class and it seemed interesting enough. In this story, it starts out with the young man finding out that he has to pick his aunt up from the station. I felt bad for him because of the comparison he made between he and his lifestyle, and she with hers. The young man is taken back to a time when he was just a farm boy, and he helped her on the farm. When his aunt finally comes off the train, he notices that she is not in a very good state. Her skin is yellow, she is not in good shape, and she looks like she is very sick. For a period in the story, the young man talks about the old days and how much his aunt had influenced him as a boy. She helped him learn so many things, whether it be concerning school or life in general. I think it was upsetting to him to see such an influential person of his life become so distant and lost. The narrator takes her to the opera, where she finally seems to be aware of her surroundings. So far in the story, I really have absolutely no idea how "A Wagner Matinee" is similar or different to the philosophies of Ralph Waldo Emerson or Henry David Thoreau. The orchestra takes the young man back to all the places of his childhood; it is truly moving. The next thing he knows, his aunt is crying. The is pretty much the first emotion both the young man and the reader have seen from the aunt. When everything is over and they are the only ones left in the theatre, the aunt exclaims "I don't want to go, Clark, I don't want to go!" (Cather). This made me sad because she did not want to go home.
"Willa Cather's Short Story: A Wagner Matinee." Read Book Online: Literature Books,novels,short Stories,fiction,non-fiction, Poems,essays,plays,Pulitzer Prize, Nobel Prize. Web. 17 Feb. 2012.
"Willa Cather's Short Story: A Wagner Matinee." Read Book Online: Literature Books,novels,short Stories,fiction,non-fiction, Poems,essays,plays,Pulitzer Prize, Nobel Prize. Web. 17 Feb. 2012.
Friday, February 17, 2012
Reflection- An Occurrence at Owl Creek Bridge
For this reflection, I read the story "An Occurrence at Owl Creek Bridge" by Ambrose Bierce. I actually thought it was very interesting as I kept reading, because at first I thought it was a little bit confusing. The story starts out on a bridge (obviously Owl Creek Bridge). There seems to be many soldiers, both in the middle of the bridge and at the very end of the bridge, and a man who is tied up with ropes. He is standing on boards with a noose around his neck because they soldiers plan on hanging him. I felt really bad when Ambrose Bierce was describing the man. He seemed like an average person, and he was even described as a "gentleman" (Bierce). As the reading went on, I did not like him so much because he was a slave owner, but I guess it is not very fair for me to judge. It was just his way of life that he was born and raised into, so he most likely did not even understand the harm he was doing. I got a little confused at the flashback, when he asked the Federal Scout about what would happen if someone were to be hanged on Owl Creek Bridge. I do not think the story even mentioned what he did to get the hanging sentence. Oh well. Then the man must have gone through some sort of dream or something, because he goes on the fleeing journey only to be hung and killed in the end. It was very hard for me to find a comparison between "An Occurrence at Owl Creek Bridge" and the philosophies of Ralph Waldo Emerson and Henry David Thoreau. The man in the story was a slave owner and literally died for what he believed in, which was the opposite of what Henry David Thoreau and Ralph Waldo Emerson believed. They completely opposed slavery and would have been on the side of the soldiers who killed him.
"An Occurrence At Owl Creek Bridge, by Ambrose Bierce." Page By Page Books. Read Classic Books Online, Free. Web. 17 Feb. 2012.
"An Occurrence At Owl Creek Bridge, by Ambrose Bierce." Page By Page Books. Read Classic Books Online, Free. Web. 17 Feb. 2012.
Wednesday, February 15, 2012
Reflection- "Letters to His Family" Robert E. Lee
I thought it was interesting to read "Letter's to His Family" by Robert E. Lee because he is writing this during the Civil War period in our history, which is personally my favorite time in the United States' past. There was one sentence in Robert E. Lee's letter that really jumped out at me: "As far as I can judge by the papers, we are between as state of anarchy and civil war." This was the sentence that made me realize that Robert E. Lee has a similar thought process as that of Ralph Waldo Emerson and Henry David Thoreau. From what I can take from the sentence from Robert E. Lee's "Letter's to His Family," he is not a very big fan of the government, or he knows that a lot of people are not. Anarchy means that there is absolutely no government control or influence in the lives of the people. This can relate to the philosophies of Ralph Waldo Emerson and Henry David Thoreau because neither of them really liked the government either. It is not like they wanted anarchy--this is pretty extreme and I can not even think of a instance where this has happened--but they did not want the government sticking their nose in everyone's business when it was not necessary. Robert E. Lee talks a lot about how he loves his country and he would do anything for it. This does contradict with the ideas of Ralph Waldo Emerson and Henry David Thoreau though. While they did not like their government, they did not like it because they did not like slavery. I am going to assume that they were from the north because if you opposed slavery when you were in the south, you were basically done for. Robert E. Lee was a general in the south and obviously fought for slavery. His views on slavery were the exact opposite of that of Ralph Waldo Emerson and Henry David Thoreau.
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